Back to top

Reading Images (I)

Letter 1
04/10/2018
David Campany
to Anastasia Samoylova
“It’s important that we have critical and evolving languages for talking about images and the affects they have upon us”
“It’s important that we have critical and evolving languages for talking about images and the affects they have upon us”
Letter 2
18/10/2018
Anastasia Samoylova
to David Campany
“Perhaps because this flood of images appears to be ever encroaching into our lives and psyches we develop shutdown mechanisms to avoid burnout”
“Perhaps because this flood of images appears to be ever encroaching into our lives and psyches we develop shutdown mechanisms to avoid burnout”
David_Picture-Pairings-from-Lilliput-magazine
Letter 3
31/10/2018
David Campany
to Anastasia Samoylova
“The processes by which words function as gateways to pictures are always strange and uneasy compromises”
“The processes by which words function as gateways to pictures are always strange and uneasy compromises”
Letter 4
15/11/2018
Anastasia Samoylova
to David Campany
“In the end photographs cannot replace language, and I wonder whether it is even like a language in its own right.”
“In the end photographs cannot replace language, and I wonder whether it is even like a language in its own right.”
Letter 5
29/11/2018
David Campany
to Anastasia Samoylova
“Is it possible to describe a photograph without interpreting it?”
“Is it possible to describe a photograph without interpreting it?”
Letter 6
13/12/2018
Anastasia Samoylova
to David Campany
“Sometimes finding out the story behind the making of an image can change its context and affect the reading of the work significantly”
“Sometimes finding out the story behind the making of an image can change its context and affect the reading of the work significantly”

Meet the participants

David Campany

David Campany is a writer, curator and artist. His many books include Jeff Wall: Picture for Women 2011, Photography and Cinema 2008 and Art and Photography 2003. He has written over two hundred essays for museums and monographic books, and contributes to FriezeApertureSource and Tate magazine. Recent curatorial projects include The Still Point of the Turning World: Between Film and Photography, FoMu Antwerp, 2017; The Open Road: photography and the American road trip various venues, USA, 2015-2018; and A Handful Dustshown in Paris, London, New York and California. For his writing, he has received the ICP Infinity Award. He teaches at the University of Westminster.

Anastasia Samoylova

Anastasia Samoylova is an artist and writer based in Miami, United States. Samoylova has exhibited internationally, including Aperture Foundation in New York, Griffin Museum of Photography in Boston, State University of New York Geneseo, Vanderbilt University, Purdue University and in festivals in Netherlands, Belgium, Brazil, South Korea and China. Her work is in the collections at the Museum of Contemporary Photography Chicago, Stanford University, Yale University, and Art Slant Paris. Her work has been featured in The New Yorker, Foam, Wired, ArtPress, Unseen, Der Grief and other publications. Samoylova is represented by Julie Saul Gallery in New York.